I visited the PSL gallery in Leeds and saw Roger Palmer's exhibition entitled 'Latitude'. In 2008 and 2009 Roger Palmer travelled to the three continents which are situated within the southern hemisphere where the Tropic of Capricorn passes- Australia , Southern Africa and South America .
His intention was to develop a project where he could link these places through a constant approach to making photographs.
On each continent he arrived at an airport close to the tropic and then travelled by car for twelve days, crossing the Tropic of Capricorn at least once.
In the exhibition I saw a group of gelatin silver prints all focusing on Palmer's observations of cultural, climatic, and topographic details all found in the public domain.
Each triptych aspires to be both a group of related images and yet also a composition of individual pictures with are nevertheless components of a larger ensemble.
The photos are about the hopelessness of trying to represent places, all the photos look the same which is why Palmer hasn't bothered to label them. They are more about bringing different parts of the world into one location.
The projects title 'Latitude' suggests the connection between these places by their position in a zone of climatic division around the earth's circumference. The pictures are displayed for the first time in Leeds , which is located in the northern hemisphere. 'Latitude' therefore might suggest an exploratory open ended approach to photography for both the artist and the visitor.
There were also two videos shown on monitors in the exhibition, 'Canal' and 'Spring Water'. They were both filmed on the Leeds and Liverpool canal in the Armley district of Leeds. Palmer also made a sign work in-situ titled 'Botany Bay ' which can still be seen on the canal roughly one kilometre from the PSL gallery. Through a static camera 'Canal' presents this sign as a reflection on the surface of the canal.
Whilst filming 'Canal' a plastic bottle drifted in and out of shot, this provided Palmer with an idea for a different piece of work, 'Spring Water'. In Australia Palmer picked up several items from the beach near where the British Colonists first landed at Botany Bay . One of these objects, a plastic bottle from Fiji , was later thrown into the canal by Palmer as a way of re-establishing a link between Botany Bay , New South Wales and a section of the Leeds and Liverpool canal.
I liked Palmer's work in the PSL gallery. His photographs were all shot in black and white making all the images look similar, like they were all taken in the same place. The images were grouped in threes on the walls as triptychs, and although you know that the photos were taken on three different continents you have to question yourself as they are not labelled, so it's unclear as to where each image was taken. I like the way Palmer has managed to create a link between these places via something as simple as photographs.